Three generations of jewellers
Rose gold went from unfashionable to everywhere within about a decade, and it has stayed. It is warm without being loud, it flatters most skin tones, and it does something genuinely useful for the diamond sitting in it.
We work in 9ct, 14ct and 18ct rose gold.
Rose gold is gold alloyed with copper. The copper gives the colour, and how much of it there is decides how pink the result looks.
This has a consequence people find counter-intuitive: a lower carat rose gold is usually a stronger pink. 9ct rose gold contains less gold and proportionally more copper, so the tone is warmer and more obvious. 18ct rose gold is 75% gold, so the colour is softer and closer to a warm blush. If you want an unmistakable rose, 9ct or 14ct will get you there more readily than 18ct will.
The copper also makes it slightly harder than yellow gold of the same carat, which is a small practical advantage on a ring worn daily.
This is the part worth knowing before you choose a stone.
Warm metals reflect their own tone into a diamond and gently mask body colour. Against rose gold, a stone a grade or two down the colour scale reads perfectly warm and intentional rather than compromised. A J or K that would show its warmth against platinum sits very comfortably here.
That is a real saving. Colour grades are expensive and, in the right metal, largely invisible. Choosing rose gold and easing two grades on colour can put a noticeably better cut or a larger stone within the same budget.
Unlike white gold, rose gold is the colour it is all the way through. There is no rhodium plating to wear off and nothing to have redone every few years. What you collect is what you keep.
Copper does darken slightly with age in some conditions, which most owners find deepens the colour attractively rather than spoiling it. A polish returns it if you would rather it did not.
It has a particular affinity with anything that reads as soft or vintage.
Three stone designs and halos both suit it, especially with a cushion or oval centre, where the rounded outline and the warm metal work together. A solitaire in rose gold is quieter than the same ring in platinum and reads as more personal for it. Bezel settings look particularly good in rose gold, because the band of warm metal around the stone becomes part of the design rather than just holding it.
Rose gold also mixes well. A rose gold engagement ring beside a white gold or platinum wedding band is a deliberate combination rather than a clash, and it is a common request.
Rose gold is priced as gold, so carat matters. 18ct costs more than 14ct, which costs more than 9ct, because you are buying more gold. It is meaningfully less than platinum for the same design, both per gram and because gold is less dense so less of it is needed.
Settings start at £910 and a complete bespoke ring at £2,000. The configurator prices every metal live, so you can switch between 9ct, 14ct, 18ct and platinum on your own design and see the difference immediately.
It is the most universally flattering of the three golds, because the warm pink tone sits well against both cooler and warmer complexions. It is worth trying on rather than deciding from a screen.
9ct, then 14ct. Lower carat means proportionally more copper, so the pink is stronger. 18ct is softer and subtler.
No. The colour runs through the metal. Only white gold needs rhodium plating renewed.
It does not tarnish, though the copper content can deepen the tone slightly over years. Most people like the result, and a polish reverses it.
You can comfortably go lower than you would in platinum. I to K reads warm and deliberate against rose gold, and the saving is better spent on cut.
Yes, and many people do deliberately. Mixed metals are a common and well established choice rather than a mistake.
To compare rose gold against the other metals on your own design, build it in the configurator. To understand the commission first, read how designing your own ring works, or book a consultation.
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